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June, 2011

Nokia web video campaign achieves triple usual interaction rates

A video campaign for Nokia’s E7 phone has achieved engagement rates of 4.3%, according to media agency Carat.

June 23, 2011 by Gina Lovett

The campaign, an extension of the brand’s TV activity, ran from April to June across ad networks including Tremor Video’s (formerly Tremor Media) InRoll format, which comprises a video slot, image galleries, product demos, online games and social media functions in the one unit.

According to Carat broadcast executive James Weinberg, total engagement rates were triple what the media agency usually experiences on online video campaigns as an extension of a TV ad.

Read the full story on New Media Age. Subscription required.

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Nokia UK debuts interactive VoD campaign

Nokia E7 campaign run by Tremor Video harnesses interactive power of the web to drive consumer engagement

London, UK, June 21, 2011 – Nokia has debuted Tremor Video UK’s first inRoll ad format to extend, enforce and enhance the TV commercial for the new E7 mobile phone. The ad format from the world’s largest independent online video technology company – the recently rebranded Tremor Video (formerly Tremor Media) – integrated Nokia’s broadcast and social media marketing strategies into one entertaining, interactive and engaging online ad unit.

The online video ad, based around Nokia’s TV ad, encouraged viewers to interact with the brand far longer than the 30 second slot without interrupting their video experience on publishers’ premium video sites. The online video ad exceeded expectations by generating interaction rates six times higher than similar ads viewed in the US, while the ad’s engagement rates were 100 per cent higher than US averages.

Viewers used the ad to explore features such as the phone’s HD camera, on-demand web TV service and HD movie capability and a range of apps available on the phone, such as Ovi maps, a flight tracker and Vlingo voice recognition. The ad empowered consumers to control the marketing experience and gain the information they wanted about the phone through images and additional demo videos, as well as an option to select their preferred phone colour within the ad – all in-stream without being redirected to a new webpage.

Tremor Video’s inRoll enables brands to do more than video. It initiates a conversation between the brand and viewers by inviting users to interact with the products and services the brand has to offer, through longer form videos, image galleries, product demos, online games and social media functions in one online video ad. Nokia gained advanced levels of interaction with consumers through a live Twitter feed, and collected data on the number of viewers sharing the ad through Facebook and on external websites.

The campaign was targeted to Nokia’s specific audiences through Tremor Video’s Acudeo, the advertising management tool which puts marketers in complete control of their creative including which premium, brand safe content the ad is displayed around.

Dan Ruch, VP Europe at Tremor Video, said:

“We used the inRoll unit to forge the power of television with the interactive elements of social media and online advertising to bring together Nokia’s marketing objectives into one ad unit. The UK debut of this innovative format engaged consumers through live social media functionalities and a host of interactive features inspired by Nokia’s ad creative and web content.”

inRoll goes beyond the clicks and completion rates of standard pre-roll ads. Brands now have access to customised reporting and analytics which gives them unprecedented insight into viewers’ awareness rates, dwell time and the time viewers spent interacting with the brand beyond the 30 second ad slot, as well as analysing viewers’ rollovers and clicks within the interactive brand experience. Custom counters gave Nokia insight into which of the phone’s features were of most interest to users. Of the viewers who used the ad’s social networking functions 84 per cent more people chose to ‘Follow’ Nokia on Twitter rather than ‘Like’ the brand’s Facebook page.

The interactive pre-roll ad was commissioned for Nokia by media agency Carat, whose Broadcast Executive James Weinberg said: “inRoll is another cool yet reliable innovation from Tremor Video. We wanted to extend the Nokia ad campaign with creativity, but tailor it specifically to show off the E7’s touch screen and QWERTY keyboard. The originality and interactivity of the inRoll creative and the targeting capability of Acudeo are core to the success of this campaign online. The inRoll format also provided Nokia with consumer habits data they had never seen before, enabling them to see how, when and where viewers interacted with the ad.”

Watch and interact with the Nokia ad on our demo page.

Notes to Editors:
For further editorial information contact tremor@pwkpr.com or call +44 207 609 1900

About Tremor Video:
Tremor Video (www.tremorvideo.com), the leading online video monetization and advertising company which recently rebranded from Tremor Video, provides brand advertisers with in-stream and in-page video advertising solutions to top tier publishers. It reaches more than 3,000 publishers who serve in-stream video, and more than 5,000 publishers who serve in-page video in exclusively brand-safe environments. Tremor Video’s innovative video ad formats, advanced targeting, and industry-leading SE2 brand success measurement tools, enable advertisers to deliver efficient, scalable, and engaging video campaigns with measurable impact.

Tremor Video’s Acudeo® technology provides publishers with a full suite of products and services to monetize streaming video and maximize ROI. Acudeo delivers the industry’s most flexible and easy-to-use ad policy management tools and provides access to the industry’s leading revenue sources including turnkey integrations with all major video ad networks, ad serving, and video analytic technologies. With Tremor Video’s Acudeo technology, publishers can achieve maximum revenue while retaining total control and flexibility over their advertising inventory.

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Tremor Media named to the 2011 OnMobile 100 Top Emerging Companies

June 3, 2011 by Tony Perkins

“AlwaysOn is proud to introduce the first annual OnMobile 100-the top emerging companies that are transforming big industry and creating viable business models for the mobile marketplace.

The AlwaysOn editorial team, along with partners at Morgan Stanley, DCM, KPMG, Hewlett-Packard, Blackstone Group, Bridge Bank, Norwest Venture Partners, Fenwick & West, Silicon Valley Bank, and industry experts across the globe scoured the entrepreneurial community to identify the top 100 private companies that are pushing aggressively into the mobile space and turning the old smartphone into a must-have connected device as well as creating solutions that will open up the industry and lead to huge value-creation opportunities.”

Read the full story story at AlwaysOn.

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Video Ad Operations Doesn’t Have To Hurt

Originally published in AdMonsters

Jason Burke, VP, Product, Tremor Video, June 8, 2011

Global warming is not the only thing raising the temperatures on Madison Avenue lately. Video advertising is hot and marketers can not get enough of it. Expected to grow 40 percent in each of the next two years, it’s one of the best tools for online marketers looking to reach engaged, active audiences and meet their top of the ad funnel goals. But that hockey stick growth probably has more than a few ad ops folks tugging at their hair.

The increased focus on video advertising means more ad revenue for publishers and a new distribution avenue for marketers, but it can also mean lots of work to follow through on these promises. As the process works right now, agencies produce in-stream video advertising content for clients and then manually send out the pieces to their publisher partners, including the video file and tracking pixels. Publishers can encode the video file to work on their site, and configure their various ad servers to be able to deliver these campaigns. That means more work for the operations teams and increased risk of human error.

Luckily, we’re seeing improvements in workflow and streamlining of video ad operations, thanks to industry standards. The IAB’s Video Ad Server Template (VAST) guidelines standardize an ad server’s response, increasing interoperability and simplifying the process for publishers looking to monetize their video inventory. VAST’s cousin, Video Player Ad Interface Definition (VPAID), defines the interface of advanced in-stream ads, which similarly ease the distribution and acceptance of advanced video ad formats.

Think of VAST as a shipping container that is used to deliver the ad response. Just as all shipping containers are a consistent size and shape and the tools used to open one can be used to open any shipping container, VAST is a common format that may contain various components, but packing that container is defined by the standard. Similar to how a shipping container might contain anything inside, the VAST document can reference any ad inside, but the format of that payload will be consistent.

A similar analogy can be used to describe VPAID. All mobile phones have an on/off button and a way to dial a number, but the details on what happens when the phone is turned on and the sounds made when a number is dialed are specific to the particular phone. But, as long as you know how to turn it on and make a call, you can use the phone. VPAID is an interface that defines how a video player can communicate with the ad to start it, react to interactions with the ad, and recognize when the ad has completed so that the player can resume the video content. This interface allows the ad to be like a black box with respect to the advanced functionality that is demanded by marketers, without requiring custom integrations by publishers wishing to have that ad served on their traffic.

The advent of common ad delivery methods has enabled the growth of video ad exchanges, a concept that didn’t exist until recently. Campaign delivery through VAST allows for the generic trafficking of campaigns within an exchange environment — without the buy- or sell-sides worrying about the hairy details.

Agencies recognize immediate workflow improvements when they adopt VAST to deliver creative and tracking URLs to traffic their in-stream ad campaigns. At the same time, publishers who support these standards appreciate a streamlined integration path and, most importantly, are maximizing their revenue streams because they’re able to accept ads from a deeper pool of ad sources.

No standard is ever complete and VAST and VPAID are no different. In the quickly changing world of online video, buy- and sell-side demands and technology advancements require standards to change and meet the needs of the ecosystem. Also, as with any spec, advertising standards suffer from being interpreted differently by different groups. The IAB has established educational and compliance committees, as well as technical standards working groups to help mitigate these issues and advance the interfaces that are part of the spec.

As marketers look for more efficient methods to reach their branding goals and move their TV spend to online video, the ability to quickly gain scale without needing to compromise on creative options or assume additional operational overhead is imperative. The evolving in-stream advertising industry standards are a crucial component in delivering on marketers’ need for results and publisher revenue goals.

Publishers will always strive to keep video traffic as a strong revenue source and advertising is the key component to that. Being able to seamlessly accept ads from any ad source is possible only when all parties in the conversation are speaking the same language. The IAB standards define that language, and must be a required part of the video curriculum.

As video delivery standards become more widespread, the challenges seen by publishers and marketers trying to maximize revenue and scale respectively will be a thing of the past and ad operations folks on both sides of the field will be thankful.

Jason Burke is VP, Product at Tremor Video (formerly Tremor Media) where he has responsibility for product strategy and technical business development. Tremor Video, the leading in-stream video advertising technology provider focused on delivering brand optimization and results for advertisers while maximizing brand impact and delivering unmatched transparency and measurability. Jason has over ten years of product management and development experience in online media and in enterprise business software where he has driven product and business strategy initiatives. Jason is based in Boston and has degrees in Computer Science and Engineering Psychology from Tufts University.

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Anticipating Tremendous Growth, Tremor Media Rebrands as Tremor Video

Largest Pure Play Online Video Technology Company Helping Hundreds of Marketers Reach Consumers Everywhere They Watch Video

Dominant Player leveraging Digital Video’s Growth That is to Exceed 40% Annually through 2014

New York, NY, June 6, 2011 – Tremor Media, the largest independent online video technology company, today announced that it has rebranded the company as Tremor Video. The new name reflects the growing appeal of streaming video in consumers’ lives and Tremor Video’s unique ability to help marketers reach these consumers through traditional web, mobile, tablet and internet TV platforms.

Tremor Video’s mass reach, targeting and measurement capabilities enable marketers to buy video campaigns far more simply, and then watch those campaigns work in real time across more than a dozen measurement criteria. Tremor Video’s reach across multiple video platforms is now at a scale comparable to all traditional media outlets, including the major TV networks, something that no other third party company can approximate.

Marketers buying through Tremor Video routinely see their campaigns outperform traditional media through Tremor Video’s precise targeting technology and flexible pricing models, including engagement-only pricing through its unique SE2 technology. SE2 delivers advertising to the optimal consumer by analyzing the video stream, audio file and page content, then matching it to viewer behaviors.

“Advertising associated with online video content will grow from $2 billion this year to more than $14 billion in 2020,” said Jack Myers, Chairman of Media Advisory Group. “Advertisers and agencies are recognizing that television and online video are converging and they require dedicated expertise and support as they expand their commitments to this highly engaging and rapidly expanding medium. Tremor Video’s new name highlights their unique position as a pure play video company.”

“Video is rapidly expanding beyond the traditional web,” said Bill Day, Tremor Video’s CEO. “It’s no longer confined to single websites or individual devices. Video is everywhere, and our new name reflects how we help marketers reach consumers wherever they choose to watch premier video content.”

The company recently launched Video Hub, a comprehensive advertising console that helps marketers measure, track, report and deliver on the signals actually driving performance of their video campaigns. Now, instead of merely looking at delivery reports, an agency or brand marketer will know in real-time what specific factors are contributing to brand lift, purchase intent, engagement and optimal reach versus frequency both on the web and on I-TV. All of this is provided in an easy-to-navigate dashboard that provides access to campaign metrics in real-time, giving advertisers a picture of live campaign performance, as well as over time. Tremor Video’s revolutionary new Video Hub console inspired the company’s new tagline, “Watch it Work.”

Tremor Video acquired mobile video ad platform Transpera earlier this year and recently announced distribution relationships with the Roku, Bravia and Boxee internet TV platforms, establishing it as a leader in video technology across all platforms.

About Tremor Video

Founded in 2005, Tremor Video (formerly Tremor Media) (www.tremorvideo.com) provides in-stream video advertising solutions to Fortune 1000 brand advertisers and top tier publishers and is widely regarded as the leading video company online. Leveraging their innovative video ad formats and publisher technology, Tremor Video delivers the mass reach and campaign results advertisers should expect from digital video. Tremor Video is the only video ad platform that can provide 100% brand safety by scanning and categorizing every single video stream before an ad is ever served. Powered by award-winning SE2 technology, Tremor Video’s video algorithm also gets smarter at finding and engaging viewers with every ad served, enabling the company to welcome and encourage pay-per-engagement pricing. Tremor Video is a privately held company headquartered in NYC with 10 national and international offices.

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Media Contact:
Rich Cherecwich
WIT Strategy
774-254-0952
rcherecwich@witstrategy.com

 

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